RRita Orr Studio Tour Rita Orr's Studio Tour
Rita at the drawing table

I invite you to visit my studio/gallery anytime you are in the beautiful Lake of the Ozarks area of central Missouri. My studio is located 1 mile from US Hwy 54 on State Road KK, 1/4 mile from Tan-Tar-A Resort. It is open daily, year 'round, by chance or appointment. Call: 573/348-3879.
If you visit you will also see paintings by my husband, painter Joseph Orr Visit his web site at:


Serigraph by Rita Orr,  
 
Above: "Merry Mary's", image: 16.5"x16.5", edition of 30 handpulled serigraphs. Available framed or unframed.
Call the studio for prices and shipping information.
Above; In the studio, sketching designs for new serigraphs.
Below: pulling prints in the studio.

Pulling prints in the studio

 


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Above: " The Last Chapter", image: 16.5"x16.5", 34 handpulled
serigraphs in this edition.
Above: ."Tea & Talk ", image: 10"x6", edition of 40 serigraphs. 



Above: "Full Bodied Red"; image size: 10"x6". Edition of 50.
Right: "Moonlight & Wine", image size: 21"x5". Edition of 50.
Above: "Cafe Ole", image size: 6"x4".Edition of 65.
NOTE: For your privacy and security, pricing information and sales will only be conducted through phone or e-mail contact. Feel free to contact me any time, day or evening by phone or e-mail.

Rita Orr, Orr Studios:
1405 Hwy KK
Osage Beach, Missouri 65065
Phone: 573/348-3879

Rita Orr ©2008
This page updated 4/4/08

About My WorK: These are handpulled serigraphs, the silk screen process of printmaking. My personal way of working is spontaneous, perhaps primitive to technical idealists of the medium, but it has served to establish my artistic style. In a one screen 'reduction' process, I apply glue directly to the screen to form the 'stencil'. Paint, specially formulated for silk screen printing, is then pressed through the open areas of the screen onto paper which has been placed under the screen. Thus, each sheet of paper in the edition is 'printed' one color at a time. The stenciling and printing is repeated for every color of the image. It is a laborious process that creates multiples of the image rather than one original, as in painting, therefore, the prints themselves are the originals. My editions number from 10 to 75 handpulled prints.